红花之歌
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.  The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.  As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.  “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
红纸鹤
影片主要讲述了一名空姐不堪忍受长期的家暴,在一个雷雨交加的深夜将丈夫残忍杀害后一心求死,最后在法律援助律师的帮助下重拾对生活的信心的故事。灯光幽暗一片狼藉的房间内,衣衫破烂不整、 嘴角红肿带血、头发凌乱、目光绝望的欧阳祉鹤光着脚拖着高尔夫球杆向客厅的沙发走去。祉鹤表情由冷变怒,举起高尔夫球杆伴着电闪雷鸣猛烈地砸向张子赢。桌子上装满纸鹤的玻璃瓶被打碎,玻璃飞溅,纸鹤散落一地,墙上祉鹤 身着空姐制服的写真照片,还有一家三口的合影照溅上了血迹,散落在地上的白色纸鹤被鲜血染红。  作为欧阳祉鹤的法律援助律师张彤到看守所了解情况,看到祉鹤已然放弃生念的状态,张彤感觉案件背后一定另有隐情。张彤心急如焚,迅速展开调查取证。张彤多次来到看守所,与欧阳祉鹤谈心,讲述自己的经历张彤鼓励祉鹤,为了儿子多多,必须坚强起来,不能放弃。多番努力后,祉鹤把张子赢吸毒及对自己长达两年的家暴真相和盘托出,张彤从智能机器人的视频里发现张子赢对欧阳祉鹤惨无人道的家暴画面,以及张子赢吸食毒品的视频证据,庭审当天,张彤却遇到了交通事故,在毛逸的协助下,张彤顺利出庭。  法官最终判决欧阳祉鹤杀人罪名成立,但因张子赢有吸毒、家暴行为,故依法减轻刑罚,判处欧阳祉鹤15年有期徒刑。三个月后,一身囚服的祉鹤正在监狱操场上出操,高墙外,张彤带着多多遥控着无人机奔跑,无人机拖着一串纸鹤,挂着''妈妈加油! 我爱你!”的条幅在空中盘旋。
红楼梦第二部:黛玉葬花
袭人回家探亲。宝玉赴宁府看戏,茗烟陪宝玉偷偷去袭人家探望。李嬷嬷大闹宝玉房。袭人哄骗宝玉,称其母兄定欲将其赎身,宝玉信以为真。袭人趁机提出“留府条件”,劝诫宝玉不可再任性恣情,不喜务正。  袭人觉出宝玉与黛玉湘云太过亲密,不合规矩,便冷落他,来劝宝玉。  元妃省亲后,欲不辜负姐妹们大好青春,着她们入大观园居住,宝玉一同入园读书。宝玉与众姐妹入住大观园,恣意玩乐,快乐非常。茗烟搜来禁书给宝玉解闷,宝玉、黛玉共读西厢、黛玉听《会真记》(即《牡丹亭》),得到爱情启蒙。贾芸到荣府谋事,贿赂凤姐。小红见到贾芸,春心微动。  贾芸探宝玉,与小红换帕传情;黛玉发幽情,被宝玉窥破,二人口角;薛蟠假传贾政之命,骗宝玉吃酒;黛玉担忧宝玉,深夜探望,被拒门外,感时伤情。  芒种节,众姐妹在园中送花神,独缺黛玉。宝钗在滴翠亭听到小红私情,使计脱身,小红疑到黛玉身上。宝玉听到葬花吟,感时伤怀,哭倒在地。小红为凤姐取荷包,得到凤姐赏识。宝玉道冯紫英家喝酒,结识琪官(即蒋玉函)。娘娘颁布赏赐,独宝钗、宝玉相同,黛玉不快,更看见宝玉望着宝钗发呆,黛玉心酸。  贾府全部出动前往清虚观打醮,张道士给宝玉提亲,宝玉不快,回家和黛玉吵架,惊动了老太太。宝玉去找黛玉和好,在贾母处,宝黛钗三人暗语相加,气氛紧张,宝玉到王夫人处,因为他的事,金钏被王夫人赶出去。  宝玉借晴雯跌扇子与之口角,后为讨晴雯欢心,宝玉故意让她撕扇。湘云偶然拾到宝玉丢失的麒麟,二人讨论仕途经济时,黛玉在窗外意外偷听到宝玉对自己的赞扬,感慨果然没有认错知己。宝玉误将袭人当作黛玉,错诉肺腑,引发袭人的担心。金钏儿因被撵而羞愤投井。  长史官来找琪官,加之贾环诽谤宝玉,贾政棒打宝玉。惊动了贾府众人。
*
*